光口－移 Light Exit-Shift
我的作品結合摺紙結構與陶瓷翻模工藝。我將帶有折痕肌理的片狀土板組合成立方體，並刻意在其中一面保留虛空縫隙，再將這些立方體層層堆疊，構築成一個宏觀的結構，呈現出透光建築的神秘空間感。這些動感曲線與塊面堆疊精準捕捉了光影的變化，光透過穿透與探索顯化空間，營造出深邃的氛圍。我的創作藉由陶瓷媒材將疊痕轉化成形，在挑戰物質極限的同時，也在虛實轉換的錯視間，深刻體現出無生命整體的脆弱性。
My artwork combines origami structures with ceramic mold-making craft. I assemble slab-built clay sheets, pressed with folded textures, into geometric cubes while intentionally leaving one facet open to vacancy. By stacking these individual cubes, I construct a macro-structure that conjures the mysterious spatial essence of a translucent architecture. These dynamic curves and block-stackings capture the volatile interplay of light and shadow; light manifests the space through penetration and exploration, engineering a profound atmosphere. Transforming these folded traces through the medium of ceramics, my creative practice simultaneously pushes the boundaries of material transformation and, within the optical illusion of virtual and real shifts, profoundly evokes the vulnerability of inanimate existence.
器宇－合 Collaboration
我的創作結合摺紙結構與陶瓷翻模工藝。此花器作品受到統計學理論的啟發，設計上將一個360度的圓，依數據分割成不同尺寸的幾何扇形。每一個獨特的塊面，都代表著群體中各自不同的觀點與聲音；在文化與結構的交織堆疊下，它們暗喻著和諧與團結，共同凝聚出包容共融的意象，如同一個緊密相連的社群。我藉由陶瓷媒材將這些褶疊痕跡轉化成形，在挑戰物質極限的同時，也在虛實轉換的錯視間，深刻體現出群體凝聚力與無生命整體的脆弱性。
My artwork combines origami structures with ceramic mold-making craft. Inspired by statistical theory, this vase design segments a 360-degree circle into geometric sectors of fluctuating dimensions based on data analysis. Each unique facet represents a distinct perspective and voice within a collective body. Intertwining culture and structure, these components metaphorically evoke harmony and solidarity, projecting an imagery of inclusive co-existence reminiscent of a tightly-knit community. Transforming these folded traces through the medium of ceramics, my creative practice simultaneously pushes the boundaries of material transformation and, within the optical illusion of virtual and real shifts, profoundly highlights the strength of collective cohesion alongside the vulnerability of inanimate existence.
展覽｜ Exhibition
部分圖片出處：新北市立鶯歌陶瓷博物館 官方展場紀實
Some images are from: Official exhibition documentary of Yingge Ceramics Museum, New Taipei City.
頒獎典禮 ｜ Awards Ceremony
部分圖片出處：新北市立鶯歌陶瓷博物館 官方展場紀實
Some images are from: Official exhibition documentary of Yingge Ceramics Museum, New Taipei City.
媒體致謝 ｜ Press Recognition
本創作歷年承蒙各大藝文雜誌、電視新聞、網路媒體與學術專刊之廣泛報導與支持，在此向所有協助紀錄與推廣的媒體先進致上最深謝意。（由於篇幅有限，恕未能盡錄。）
The artist extends her deepest gratitude to the numerous art journals, television networks, digital media outlets, and academic publications for their extensive coverage and generous support over the years. (Due to space limitations, we regret that we are unable to list every feature individually.)